rhetoric: May 2006 Archives

Diss-appointments

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For the second year in a row, in our program, I'm supervising our Summer Dissertation Writing Group, a group that meets every other week over the summer to give our dissertators a little more community, a place to bring drafts, and most importantly, some structure for their summer. Speaking as someone who does this almost annually, I know that it's easy to let most of the summer slip by, particularly when there's a big project looming. Gradually, this group is becoming a program event, as I encourage students not yet dissertating to join us as readers, in part to give them some idea of what to expect when it comes to their capstone project.

One byproduct of this is that I spend some time in the early summer every year thinking specifically about dissertations. I almost left this as a comment over there, but Parts-n-Pieces has a post today about reading a disappointing dissertation. To wit,

Yesterday afternoon I read a dissertation-- all 120 pages of it-- and it was crap. Really. Crap. And a few times I was quite horrified by what I was reading. Really. Horrified. Offended, even.

Now, it wouldn't be exactly ethical for me to talk about dissertations, given that I've only been sitting on committees for a few years now. I don't want to say something about them, and have colleagues worried that I'm talking about their work in this way. So let me say a couple of things about my own dissertation, instead.

One thing that I don't think I understood at the time is that the dissertation is to the book much like the seminar paper is to the journal article. In an ideal world, I would have made a living wage as a grad student, and I wouldn't have felt pressured to find a job so quickly (I finished in 3 and a half years), and this pressure wouldn't have transferred in part to my committee. In an ideal world, a dissertation would be approved only when it was at least good. Mine wasn't. It was good enough, and while there are still parts of it that don't embarrass me, they are only parts of it. The only way that external factors don't enter into the process is if the student can afford (economically, psychologically) to take enough time, and if that time is used really well. This was not the case for me, and speaking as someone who's witnessed (up close or at a distance) dozens of these processes, I can say that it's pretty rare. Just as it's pretty rare that you would simply send out a seminar paper for publication (although I've read a few such as a reviewer), I think it's rare to find dissertations that are "book-quality."

In itself, though, this is not a horrible thing. I'm nearing the end of my first manuscript, and honestly, I'm glad that it's taken me as long as it has. I feel as though I'm ready now, almost ten years out from graduate school, to say something book-length to my colleagues. I know for a fact that I was not ready to do so when I was writing my dissertation.

As I've written this book, I have no question, however, about my ability to write a book-length project. I'm not saying that it's been easy, but I don't doubt that I'm capable of doing it. That's no small advantage.

Dissertations also are a great source of practice for the student in terms of working with a group of readers, responding to multiple sets of comments, and even having to negotiate multiple perspectives, each of which is a common feature of the manuscript review process. The important difference, of course, is that your diss committee has a stake in your success and will want to see you succeed, ultimately. I understand that this is not everyone's experience with the process, but I think it common enough that this is the case.

You might have guessed this was coming: the dissertation is also training for the rhythm of the scholarly writing life, which is much different than writing seminar papers (read, read, read, read, purge) or comprehensive exams (an even more extreme version of the event model). I've written before about how graduate faculty aren't perhaps as good about explicitly teaching this different rhythm as we could be, but I am also somewhat embarrassed to admit that, as a student of writing studies who had spent 6-7 years teaching people to write, I was kind of stupid when it came to my own dissertation writing. All of the things that I had taught my students about the writing process? It took me way too long to figure out that those things also applied to my own writing.

And really, none of these things speak to the quality of a given dissertation (or lack thereof). It's tempting, I think, to go into the process thinking that this is your great contribution, and that by now, you've acquired the skills you need to in order to "join the profession." For me, this attitude resulted in a vast overestimation of what I needed to accomplish in my dissertation--the fact of the matter was and is that my dissertation did not "change the discipline," except in very indirect ways (and then only probably once my first book is finished).

In short, I think that the dissertation was an incredibly important stage for me as a scholar, writer, and colleague, but honestly, it wasn't for any of the reasons that I thought it would be at the time. I don't think any of us try to do mediocre work in our dissertations--I know that that wasn't my goal. But I also know that at the time, that dissertation, mediocre as it seems to me now, was what I was capable of at the time. And that's true, I think, for most of us.

When I teach courses on technology, I usually employ a standard that I think of as T+1. That is, regardless of where each student starts, I want them to push themselves to the next stage. I think that this is what the dissertation accomplishes as well; it pushes the student and gets them closer to being able to write a book-length work, B+1. For some rare students, B+1 is enough to get them to the point of being able to send out a manuscript. For most of us, though, it takes longer, B+5 or B+10.

Yeah, that's me hanging out there at around B+29. But that first +1 helped me get started on the journey to 29, and so, as weak as my dissertation was/is, I'm as grateful for that part of my education as I am for anything else about grad school.

That is all. Good luck to all you summer dissertators...

Somewhat unconsciouly, I've been saving up my bloggables lately. I think part of it is the residual myth that if I spend my words here, I'll be taking words away from the revision process. I know that that's not how it works, but doesn't mean I don't sometimes fall under the spell of the myth.

Anyways, I thought I'd emerge from my accidental exile to wish all mothers, both current and impending, a happy day. And to ask a question...

Last week, I met with one of the many whose dissertation committees I'm serving on, and we had a rollicking conversation about all sorts of things. One of the issues that came up was Burkean identification, and over the course of our conversation, we ended up at a place where it was less than useful to speak of identification as a general category.

So my question to you is this: are there writers out there who have done any sort of differentiation among identifications? For example, there's a difference between I took to calling lateral identification (the kind that you might share with a neighbor or a colleague, for example) and vertical identification (the kind where you attach to a larger entity, like a state or country).

At the root of my question is the conviction that there is a difference when identifications cross various scales. Or perhaps I want to say that there's a scalar quality to identification itself--I'm tempted to suggest that the more vertical (and no, I'm not really happy with this term) the identification, the more uncomplicated it needs to be, if I can say this without implying that complication is somehow superior to the alternative.

I'm 99% sure that I can't be the only person to have ever asked this question, but I'm even surer that I don't really know where to look to remove that final 1%. Any suggestions?

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This page is a archive of entries in the rhetoric category from May 2006.

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