Results tagged “graduate study” from Collin vs. Blog

Yesterday, our group of job market hopefuls met to review drafts of their application letters. For obvious reasons, I can't really talk about that process in much detail, although I think I can say that nearly every student who goes through this process realizes eventually that (a) such letters are more difficult to write than they first appear, and (b) the best such letters go through several drafts. The job letter is a very specific genre, one that requires most of us to unlearn (at least temporarily) some of our more cherished habits of academic prose.

One thing I was thinking about over the past few days was the question of method, or more specifically, the question of method vs. methodology. I don't think I'm bursting anyone's bubble when I say that the vast majority of us, myself included, use the word methodology when in fact we mean method. "Methodology" sounds more sophisticated; honestly, I'm not sure it's any more complicated than that. And I can't tell you the number of times I've heard people ask job candidates to explain their methodology.

Maybe it's just my own sensitivity to the terms, but I get the sense that, in recent years, we've placed more explicit emphasis in our field on "having a methodology," to the extent that we engage in a great deal of unnecessary nominalization. In other words, where at one time, folk might ask about the theories we use or draw on, that proliferation now feels to me as though it's coming under the umbrella of methodology. And I get the sense that many of us feel compelled to distinguish our projects from others on the basis of methodology rather than say site, theory, material, etc.

And yet. I don't think you can "have a methodology." For me, a method is a particular practice, one that can range from the algorithmic (coding discourse for certain textual features) to the heuristic (the application of various cultural or critical theories) to the aleatory (fun!). Nobody just uses one method; most of us blend several at any given moment. You might draw on one method to test, qualify, or nuance another. My own thought, though, is that there really aren't huge numbers of actual methods--where our projects really differ from each other is in the collection and selection of materials and the choice of particular filters (i.e., theories) to guide our practice.

My understanding of methodology, then, is sort of armchair etymological. Methodology is the study or account of methods, in the way that a graduate survey course on methods might proceed. Why a body uses method X instead of method Y is a methodological question, but the answer to a methodological question is a method, not (for me) a methodology. I don't think I have a methodology; what I have instead are a range of methods (and that range has broadened in recent years), some of which will show up in a given piece of writing.

As I was browsing around, I came across an interesting piece from a few years back, by a fellow named Eduardo Corte-Real, who suggests reserving methodology for that broader usage (the science/logic of methods), and offers the term "methodoxy" as a lighter term that replaces the heaviness of logos with the idea of teaching and/or opinion implied by doxa. I must say, I'm a little enchanted by the word--it seems to me that much of what passes for methodological discussion is in fact methodoxical. In a field like Writing Studies, we will never achieve the kind of methodological rigor found in the sciences, natural or social. Nor honestly should we want to. But there's something of that pressure that lurks behind the question "what's your methodology?" I'm not sure that we could answer that question on behalf of the discipline, much less ourselves. I like the idea, though, of methodoxy as the term that describes our field's debates over method, our own practices of blending various methods to accomplish research aims, and our processes of choosing from among the methods that are available to us.

No grand conclusion, but I may sneak methodoxy into an essay soon. And I'm going to try and keep myself honest about not saying methodology when I mean method.

That's all.

My last day as Grad Director?

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Well, no. Not really. But it is the last day of classes of the final semester of my tenure as the Director of Graduate Studies for the CCR Program at Syracuse. Technically, my time isn't up until the end of June, and double technically, I'll still be executing some duties through the following year.

The main one is our annual Placement Committee, which guides our veteran students through the job search process. This was something that the previous DGS and I developed when I first got here. That year, we had our first couple of students on the market (the program was only about 4-5 years old at the time), and they had to cobble together support and advice from various sources, which didn't work as well as it could have. So we decided to set up a subcommittee and develop some procedures that, beginning in the spring, would guide those students through the process, help them vet and revise their materials, provide simulated phone/f2f interviews and job talks, etc.

Because of the rhythm of the search process, though, it's a responsibility that begins in April and runs for 9-10 months, ideally. And so I'll be sticking around this job for that purpose, as a member (but no longer chair) of our Graduate Studies Committee, for another year or so.

In honor of the fact that this is my final go-round, at least for a while, with the Placement Committee, I spent some time over the last week revising the materials we hand out at our initial meeting, which is tomorrow. The 5-page guide/overview to the market is linked below--feel free to give it a glance, and/or share the link with someone who'll be hitting the market in the fall. It's not as detailed as the various books now available, and it's pretty specific to rhet/comp, but it's worked well for us for the past few years...

That's all.

JobSearch.pdf

Course Update #4: LF Tools

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Bradley asked me to say a little more about my comment from the other day about my ambivalence regarding the tools we're using in my class, so here we go.

I should say a few words first about what I tried to accomplish this semester. I've been thinking a lot in recent months about the relationship between narrative and database, and how it plays out across graduate education. Without numbing anyone's mind with too much detail, what I would say is that both "forms" are crucial. It's important to be able to build narratives about the field's development, for example, or to generate particular field-narratives (seminar papers, journal articles, etc.) as a result of one's work. At the same time, though, we hold ourselves responsible for what Paul Matsuda called his "mental intertextual map," (see last post) what I would describe as our disciplinary network. And that latter responsibility is more database than narrative. I think of the two as complementary--each "narrative" feeds into the database, helps us fill it out, and then we draw future narratives from the database/map that we've generated.

I've had great success in recent years urging students to take up database management tools and techniques as a means of managing the later stages of their graduate programs, which seem to me to require more database kinds of thinking than does coursework. Coursework, as I mentioned the other day, tends to be organized around what I called "directed reading," some sort of (narrative) arc that helps to structure a semester and give it some coherence. So the question that I asked myself last fall (and talked about a little at Watson 08) was: what would a course look like that attempted something more databasic, that didn't worry so much about narrative coherence?

And as I've said all along, the course has gone much better than I could have hoped for. I really think that the students have found it valuable, and I've been really happy with how enthusiastically they've taken it up. I've talked before about the set up for the course: over 10 weeks, we took the past 10 years of the field, 1 year per week. Each student chose a particular area of focus, and was responsible for (a) finding 4 essays in that area published during each of those 10 years; (b) posting notes to our class blog and tagging those entries in Delicious; and (c) sharing what s/he found during class. And, for the first time in my graduate teaching, I'm asking students to complete a "real" final exam. Next Saturday, the students will take a 3-hour exam, a simulation of one of our comprehensive exams.

In other words, I've asked them to focus for the past 10 weeks on building personal databases, and now (just as they'll do during exams), I'll ask them to construct a narrative of the development of their area over those 10 years, based on what they've found/noticed. We spent a fair amount of class time on Wednesday talking about how they might approach this task, what sorts of evidence they might find and use, etc.

So to my mind, there are two main things that we've been doing this semester. The first is aggregation, and I think that this is something we'll see more of in graduate education over the next several years. The most recent Teaching Carnival had a link to Mark Sample's annotated bibliography project, using Zotero and Citeline to create an aggregated class bibliography. And just as I was setting up my class, Michael Wesch was doing something similar in his Digital Ethnography class, using Zoho Creator to generate a 94-work bib on anonymity in a week. Both are cool projects, and they both speak to the usefulness of web2 tools for doing the kind of aggregation that I'm thinking about.

Me? I used Wordpress and Delicious. Part of my reliance on blogging tools is that I've spent the last 5 years thinking about how to use them in other ways. My work on CCC Online involved a number of significant tweaks. Thinking about it now, I might have tried Zoho, but ah well. I think that there are a number of ways to aggregate successfully nowadays.

The problem comes, however, from the other main point of my course, and I don't have as easy a term for it. If the point of aggregation is search and retrieval, then any of these tools are as good as any other, I think. And I don't mean to suggest that this isn't a worthy goal. But what are our options if we want to be able to take the next step with respect to an aggregated database? How do we take that accumulated body of information, and perform meaningful work with it?

In my mind, that's what I'm asking of my students next week. And it's what we ask of them on their comprehensive exams. And ultimately, it's what we do ourselves as scholars and writers--we construct our large maps of the field and eventually contribute to it ourselves, by clearing our research spaces, tracing out lines of thought that are "missing," etc.

I'm a big believer in the tag cloud as a heuristic, and so that's what I had in mind in asking my class to tag in delicious on top of WP. I have an article in the works that talks about this, but I believe that, especially for the humanities, tag clouds are a fairly easy way to generate some testable hypotheses about a body of textual data. The problem is that most of our tagcloud tools are partial. The tagclouding available to us in blogging platforms is rudimentary at best. TagCrowd and Wordle work best from actual text. If I'd been more careful, I might have been able to do a little more with Delicious, but honestly, their development has been pretty minimal, post-Yahoo.

Here's what I would wishlist for such a tool:
1. The stylized output of Wordle
2. The stoplist function of TagCrowd
3. Expanded faceted clowding (the related tags function in Delicious)
4. The ability to do some kind of timelining (like Chirag Mehta's PrezClouds)

Obviously, these are all possible. They're all available right now, only in incompatible tools. Wordle can take cloud delicious tags, but only at the level of an entire account, and without any kind of stoplist. Delicious seems like the best place for implementation, but I have no idea if it's even breathing. The point is to be able to take a decent-sized body of tags, though, and to visualize it in fairly simple ways, in order to discern patterns that might not be otherwise apparent. Sounds simple, but right now, the tools for doing so are mostly one-trick ponies.

My biggest wish would be for a tagclouding tool that was actually attached to something I could use for the data entry, so that I didn't have to ask folks to use two different sites to accomplish one thing. That's where my WP/Delish combo fell short this semester. I myself resented having to do both, and I was the one who made the choice. Heh.

My other wish would be some sort of middle-ground between the fully pre-determined interface of WP or MovableType, and what I assume is the ground-up blank slate of something like Zoho Creator. I don't want to have to do everything myself, in terms of setting something up, but I've spent the last 5 years using the MT interface against itself, because (at least until the recent integration of Custom Fields) I can't make any real changes to it. I'm a little weird that way, I suppose. I loved MT3--the MT command language was a perfect middle ground for me between programming and end use. I'm willing to spend time on a good middle-ground toolkit, but that's a rare category of software, from what I can tell.

Ah well. I feel like I'm rambling now. I don't think that what I'm after here is that difficult to accomplish, but I felt trapped this semester by the fact that I know enough to know where current apps don't meet my needs, but not enough to be able to do anything about it.

That's all.

Ambient Reading

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Paul's got a great entry today, on "How to Read Everything?" Seriously great. Lots of good thoughts in there.

One of the things that's instructive about his entry is the list of various strategies that he's tried and abandoned, which is one of the things I recommend to folk on a regular basis. There are all sorts of ways to manage one's "mental intertextual map," and the trick is find the ones that will work for you at a given time.

One thing that I would add to Paul's account is that you have different needs at different times. My own strategies tend to resemble his quite a bit--I don't take a lot of notes myself, although that's changed a little as I've gotten older and more forgetful. Like him, I tend to have a very strong procedural memory--I remember colors, covers, the place on the page where an important quote is, etc. But I do do a little bit of underlining, not so I can go back through a text and cull the marks, but because I find that it reinforces my procedural memories. It keeps me on a given page and at a particular spot on the page a little longer, which seems to burn that spot into my memory a little more.

A couple of other points worth raising. There's a difference between reading a book and reading a discipline, even if we tend to use the same verb. So in "reading everything," I hear "everything" to mean the discipline, and that's a different strategy. You can "read" a journal in 10 minutes if you're reading it to know what's there, so that you can return to what's valuable to you later. And that kind of reading is ultimately quite valuable--Brian has written recently about "ambient research," and I just finished a collaborative piece with a friend on a similar topic--it's a matter of entering the flow of a discipline, getting a feel for what's going on, before you make the choices about where to drill down.

So maybe I'd describe this as a difference between ambient and directed reading. We are trained very heavily in directed reading, and rarely are advised about ambient reading. In part, this is because it comes as a result of enculturation, and so seems a "natural" outgrowth of that process. I think I could argue that what I've been working on in my graduate teaching in the past 4-5 years is pushing my students more towards a model of ambient reading, an approach that could productively complement the emphasis on directed reading that tends to dominate graduate coursework. And I think that part of my current interest in Web2 stuff is how those tools can help us accomplish that.

So there's that.

Course update #3

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This is going to be a short one, as I'm a little pressed for time, but expect a longer retrospective in the next day or two. Tonight, if I have time.

My course is still going quite well, but I've made a couple of changes. First, I lopped off a week, and inserted a catch-up week, so that folks could get on top of the note-blogging and the delicious account. What I realized early on was that I'm not super happy with the available tools; the combo of WP and Delicious has been okay, but not great. It's made it easy for folks to fall behind, and so I gave us a week off from the grind to get caught up. Were I to do a course like this again, I'd build it in. Normally, I do this in my syllabus anyway, but I didn't have this course organized soon enough to be able to.

The second change I made was to our class meetings, and to be fair, it was at the urging of a couple of the students. For the first 5 or so weeks, students were reporting out on their four articles in 10-15 minute chunks. After spring break, though, and after our pause week, we shifted to a model where they reported only one article at a time, and another person would pick up the conversation by connecting one of their articles with that one. As one of the students put it, it allowed us to focus on the conversation rather than coverage--as the semester went on, we were having trouble fitting everyone in anyway, as they became more comfortable with their areas.

This shift has them thinking less about their articles in blocs, and more in terms of the tags, themes, and the transitions that they might make from one of their essays to another person's. It has the added bonus, I think, of keeping everyone alert to connections and transitions.

I'm not sure that this would work straight out of the gate, though, so I'm happy with how it's gone. I think they needed to feel anchored in their areas, and so the longer report model was a good way to start. But as the weeks marched on, it was good to change it up, and to focus their attention differently during class time.

This week I hand out the question for our final exam, which they'll be taking in a little less than 2 weeks. I continue to be amazed at how well this all has gone, and continue to appreciate how enthusiastically the students have taken it up. I'm very thankful. Having the course go well has been a real boost for me this semester.

I have a few overall sorts of thoughts that I'll share soon, because there are aspects of the course that I feel like I've lucked into a bit, ones that wouldn't make this model quite as useful in other contexts. But I'll save those for another entry. One of the things I'm thinking about doing is inviting the students to write up the course with me and submit it to the Praxis section of Kairos, so I definitely have some incentive to keep thinking about it...

That's all. Happy Sunday.

Sprint v Marathon

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If late fall and early spring were examinazing! then my late spring and early summer are shaping up to be dissertastic! which should go some distance towards explaining why I seem to be fixated on that particular process as of late.

I wanted to make note of Jim's comparison of dissertation-writing to the baseball season, because I think he's dead-on accurate. The day Jim posted that, I was explaining to someone or other why I'm such a fan of baseball. I like the gradualness of the season, and while every once in a while, you can watch magical things happen (last season's Rays, e.g.), part of the appeal for me is its omnipresence. There's always a game on somewhere, so I can watch if I want. But I can also miss a game or a week as well, without feeling like I've missed too much. It's not a game that readily lends itself to the highlight, and it fits well into the zone of continuous partial attention (CPA) that characterizes my working spaces.

I'm not interested in spinning the allegory out too far here, though, except to note that writing the dissertation is a lot more like going through a season of baseball than it is other sports (and maybe other activities). To use another well-worn sports analogy, it's much more like a marathon than a sprint, and part of the trouble that folks have in making that transition is that, for their entire educational careers, they've been practicing the sprint. And there are some folk who manage, through luck or persistence, to sprint a mile, stop, sprint a mile, stop, sprint a mile, stop, until they've done a marathon's worth of sprints. In a sense, I did that with my own dissertation.

But when I got to the book, I wised up, I think. I still accomplished it in a very intense stretch of time, but the way I used that time was very different. Instead of bouncing back and forth between front and back burners, I kept my book on the CPA burner, and figured out how to manage different types of activities at different times, all of which kept me focused without burning me out.

But my advice here is not to do what I did, with either project. Rather, I'd say that it's important to be open to the possibility that the "rules" you've constructed for yourself and your writing--composed as they were during a time where your work was much shorter and burstier--might be revised. What I ended up doing was trying really hard not to love my quirks too hard. Use outlines, freewrites, bubblemaps, timed writing, journaling, notetaking systems, everything--in particular, try out those things that you don't think you need. Accept that the dissertation process is different from anything you've done before, and develop new habits and strategies to manage it. Try a different word processor, a new chair, a new workspace, a new workflow, everything. In the process, you'll learn more about what you need to get it done and what you thought you needed but don't.

The major projects that I've done (and there was a long stretch where this blog would count as onesuch) have always changed the way I write, sometimes for a while, sometimes forever. And I'm much more conscious of what I need to write well, which has served me well since then. In some ways, I'm tempted to argue that that's the real affordance of the dissertation--just as exams give you an unparalleled opportunity to learn the field, the dissertation gives you a similar opportunity to really learn who you are and can be as a writer.

I'd like that idea much more if it didn't sound like I was romanticizing the process unnecessarily. I don't mean to--I've both seen and been part of less-than-ideal dissertation situations--but I think that, even when things aren't going well, we can still learn a great deal about our writerly selves, for better or worse.

That's all. I feel like I have maybe 3 or 4 more posts about dissertating in me. We'll see how much time I have over the next few...

Party like it's 1999/2000

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I figure it's time for a little update on how my course is going.

We're 2 weeks into the "10 years in 10 weeks" part of the course, and while I'm going to wait a bit for the kinks to iron out of the database part of the course before I think about it, the class sessions themselves have been interesting.

To remind: what I'm asking the students to do is to read each week that year's Braddock and Kinneavy Award winners (the best essays annually from CCC and JAC respectively), and then each student has to locate 4 other essays from that year (ideally no overlap among students), annotate them on our course blog and tag them on a course delicious site.

I was a little unsure about how class meetings would go, given that we were approaching class with a minimum of shared material. For the past two weeks, we've gone around the class and reported out, with me reporting on the 2 Award winners. First week, the reporting went pretty quickly, since we'd planned on using the second half of class to do the delicious work as a class. This week, though, we had to rush at the end to fit everyone in, and that was with 2 folks missing from class. This week, people in class (myself included) started talking back to the reports, asking questions, noting patterns, etc., and to my mind, that's a good thing.

I think it would be easy to fall into a groove where we were asking too much of our essays--it seems obviously risky to attribute to 4-6 essays some sort of essential year-ness, but that's not what's happening so far. Instead, I think we're doing a good job so far of treating the things we notice as hypotheses to be tested rather than conclusions to jump to. And what's been interesting about the class sessions themselves is that I think we're all learning a bit about the range of topics that different people are taking up (cross-cultural rhetorics, WAC, WC, queer rhet/comp, technology, race, etc). I'm encouraging people to listen for connections across "areas" as well as patterns within their own foci, and I feel like that that's happening.

For my own purposes, it's been interesting to read the two Award winners across each other, finding themes and tags in common in essays that I wouldn't have paired in a million years otherwise. And I'm looking forward to seeing what happens once everyone begins readings essays that are citing some of the ones that we've already covered.

The "payoff" for the course will be a final exam, one that simulates one of the minor exams that our students do as part of their comprehensives. I've never given a final exam in a graduate course before, but it made a great deal of sense to me in the context of this course design. It'll give the students practice at exams, the opacity of which tends to be intimidating for some of them. But more importantly, it will hopefully have been good practice at assembling a focused list of works, reading that list steadily, and reading it with the kind of openness and alertness that we ask from our students at the exam stage.

If I can say so without jinxing, it seems to be working well. The interesting thing about it, though, is that, in addition to helping them learn to prepare and read through a topic area, this process will expose them to a range of different areas, encourage them to see some of the connections among the various areas in our field, and perhaps even encourage some of the meta questions that I find really fascinating: how do areas develop? why do certain areas develop in certain ways, and others in different ones? etc. There's some interesting politics and sociology of knowledge that I'm hoping we'll get at a little this semester.

So if I sound optimistic about the course, there's good reason. I think the folks in my course have really taken this idea up well so far, and I hope that continues.

Experimenting with my graduate course

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At Watson last fall, I gave a talk that was about, among other things, the idea of the "antilibrary" from Taleb's Black Swan, the idea that significant parts of our libraries are unread because for researchers, having read something is less valuable than knowing where to find it when you need it. And at the end of the talk, I said something like this:

this is less about technology, and more about rethinking our basic practices to include collection as one of our goals. For example, imagine a graduate seminar where instead of studying 2 or 3 articles chosen by the professor, students are instead responsible for locating and representing 2 or 3 articles that they've found themselves on that week's topic. Instead of 10 sets of detailed notes on the week's readings, each student would walk away with detailed notes for 25-30 essays. The conversational dynamics of such a course would be different, certainly, but such a seminar could accomplish a great deal in a short span of time if it were devoted to mapping out broad sets of texts rather than mastering a small handful. The point would be to shift our focus from reading to a combination, at the very least, of reading and not reading.

So this spring, I decided to take myself up on this thought experiment. The experimental part of the course won't begin in earnest for a couple of weeks yet, but I've started assembling the online portion of it. Here's the idea:

Over the last ten weeks of the course, we're going to be looking at the past ten years of composition and rhetoric, one year per week. During the week, everyone in the course will read that year's Braddock Award winner from CCC and the Kinneavy Award winner from JAC. In addition, each of the students will be locating 4 essays (or book chapters) published in that calendar year, taking notes on each, posting those notes to our course blog, and then tagging that entry in delicious. (I'll be doing the same for the shared essays.) Multiply this by 10 students, and by the end of the semester, we'll have a database of more than 400 essays from the past 10 years of the field.

I've encouraged them to use this exercise as a way of doing some preliminary research for their comprehensive exams, so the database won't be representative. Nevertheless, we'll be paying attention, via tags, to methods, key thinkers, etc., and so my hope is that certain patterns will emerge. I'll be encouraging them to think about their focus areas rather than extrapolating their findings to the discipline as a whole, so I'm hoping that some value will come of it.

And I'm certainly curious to see how our discussions will go. I'm still not sure how that part of things will work out. But that's what I'll be thinking about in my teaching this sem.

Syllabus Muse?

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So here's a question.

I'm working up my syllabus for a course I'm teaching this fall, a doctoral seminar on Computers and Writing. I've got tons of notes on it, but I'm struggling a little bit with exactly how I want to (a) organize it, and (b) reduce the readings to a manageable set. Later today, I'll probably toss up a page that offers up my progress-to-date, but in the meantime, I thought I'd ask for a little collective wisdom. Here are my constraints:

The course is going to be 1/3 workshop, 2/3 seminar. That is, each week, we're spending at least an hour in our lab, where I'll be running a series of hands-on intros to a broad range of tools and platforms. The goal will be familiarity rather than mastery, of course, but I'm a big believer in the doing alongside the thinking.

One corollary of this is that I will be asking the students to work outside of class on their technology skills, and so I'll be requiring a little less reading than I normally might for a seminar. I'm pretty much decided that I'm not ordering books--my plans are to go with 3-4 chapters/articles per week.

And of course, the problem here is that a given week's topic could pretty much be the theme for an entire course, so I need to really distill rather than overwhelm. At the same time, I've got shelves and shelves of stuff I could use, not to mention all the stuff online. I'm still debating internally about whether it's best to shoot for a rough chronology of C&W or to focus on more recent developments for the most part.

Nothing to it but to do it, I suppose. Look for updates later today. Oh, and the collective wisdom part is this: what texts, perspectives, ideas do y'all think are indispensable for a course on C&W, one that's likely to be the only sustained exposure to the sub-d that these students will experience?

Blogging Conferential

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It's been a remarkably unconferential spring for me--I bailed on CCCC this year, am not going next year, and currently, RSA and C&W are happening without me, and doing just fine, I imagine. But over round Blogora way, Rosa asks, "who is livebloggin RSA in Seattle?" and the answer would appear to be no one. I've seen a couple of entries, and a handful of tweets, about C&W, but nothing steady. So I'm breaking prose silence to offer up a modest proposal, one I think I may have talked about before...

If I were hosting a conference, I think I'd see about raising money in order to have a bunch of folk blog the sessions. I know that there used to be something similar for CCCC, but I think that that was strictly a volunteer effort. So here's my proposal:

Offer 5 travel stipends to graduate students at $1000 apiece. To earn that money, they must commit to blogging at least one panel during the majority of sessions during the conference. (I can't be more specific, because it would depend greatly on the conference format, breaks between sessions, keynotes, etc.) For the sake of argument, let's say that that number is 10. So $100 per session.

In an ideal world, the organization would provide the laptops. That is coming closer and closer to becoming a reality, financially. My ultra set-up cost less than $300, and the prices on these things will only drop as Intel gets further into the game. But for the sake of argument, I'm going to assume that most would have their own or one they can borrow.

Also, lap desks. They don't need to be from Levenger or anything. You can get a good one at B&N for $30. It's worth it.

Also, a lounge/room set aside for them to store coats, bags, gear, laptops, with Wifi, cable hookups if they need, and bottles of water and bagels/muffins. Also, if they prefer to type up handwritten notes, they could do that here as well.

Someone from the organization would coordinate with them, so that all 5 aren't blogging the same panel during a given session, of course. But otherwise, they'd just be turned loose on the conference.

The upside? It'd be awfully nice for the majority of people in any organization who don't come to the conference, yes. But it would also provide a means of archiving what is now our #1 source of almost completely disposable scholarship. I've given some interesting papers now and then, and the only record of them outside of my hard drive is the paper title in the program. It would give all of us access to a largely untapped area of our disciplinary scholarship.

I'm not talking about posting the papers themselves, although I sometimes will do that for myself, so it wouldn't be an issue of a pre-print threatening those who want to publish longer versions later on. But a good blog summary of a panel would be enough to let researchers know if they'd like to follow up and email a presenter for a copy of the paper.

Or, imagine that you're putting together a panel on X for a future conference. It'd be nice to be able to do a search for folks working on that topic. Or to gather some ideas about possible folk for an edited collection. Or to get some idea about whose work you might want to follow up on for an article of your own about X.

Right now, the scholarship we do for conferences vanishes into the ether for the most part. Blogging the conference in a semi-systematic fashion would mitigate against that, and it would make all of us who don't attend every single conference feel a lot more connected. That wouldn't be a horrible thing, either.

Let's say that we have 1000 people in an organization, which is probably an overestimate for some and under for others. But given 1000 dues-paying members, it would take and extra $5 a year to pull this off, and the result would be access to a cumulative database of 150 presentations per conference (5 bloggers x 10 panels x 3 presenters/panel).

Finally, it would be a nice way to support our graduate students and it would be, I imagine, a really valuable introduction to the breadth of our discipline for those who participated. At conferences like RSA and C&W, the majority of the panels could be blogged. It would be a little more of a drop in the bucket at a conference like Cs, but that's the organization most capable of scaling this up beyond just 5 bloggers, too.

Seriously, I'd pay $5 or $10 more a year if a database from each year of the conference was the result. If someone could get on that for me...heh.

That is all.

Big week

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It is not the best week to be (slowly) recovering from back spasms. In a couple of days, we have our annual recruitment visit from prospective students (posts from years past on this process). The good news is that I'm heading into this event with more sleep than I've apparently gotten in years past. The bad news is that I've been getting lots of sleep because there's not much more to do than nap when you're lying on your stomach in bed with a heating pad on your lower back.

I thought I blogged about this, but just about everyone I tell is surprised, so apparently I haven't mentioned it. This year, inspired in part by Wordplay, I'm an entrant in The 31st Annual American Crossword Puzzle Tournament, which is happening next weekend down in Brooklyn. So while our prospective students are flying back to their home bases, I'll be taking the train down to NYC to prove just how nerdy I can be.

And actually, I'm looking forward to it. If my practice has been accurate, I'm probably not going to finish much higher than middle of the pack. I'm a little sloppy when I'm under the gun, and I have the same bad habit that sometimes plagued me on multiple choice exams--"how can that be a good clue for this word?!" I've been stepping up my crossword solving to maybe an hour or so a day right now, but other than that, I'm not doing anything special. No stacks of notecards with obscure names of rivers on them for me. Just me and my brain and a bunch of pencils.

If I think of it, I'll try and do a little bit of blogging from the tournament, but it'll depend on how social I'm feeling and how much I feel like putting words outside of the grid...

That's all.

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